{"id":1495,"date":"2022-07-10T17:35:20","date_gmt":"2022-07-10T16:35:20","guid":{"rendered":"http:\/\/www.heatherconnelly.co.uk\/translationzones\/?page_id=1495"},"modified":"2022-07-12T13:20:28","modified_gmt":"2022-07-12T12:20:28","slug":"translation-zones-experiential-translation-in-action-part-2","status":"publish","type":"page","link":"http:\/\/www.heatherconnelly.co.uk\/translationzones\/?page_id=1495","title":{"rendered":"ETinA – Part 2"},"content":{"rendered":"

Translation Zone(s): Experiential Translation in Action part 2<\/span><\/h1>\n

A dialogue with Danica Maier about her project Mechanical Asynchronicity\u00a0<\/span><\/h3>\n

Summary:<\/strong><\/h2>\n

Score: Mechanical Asynchronicity\u00a0<\/em>by Danica Maier and Martin Scheuregger<\/h3>\n
\"\"<\/a>Danica Maier –\u00a0Score<\/em>\u00a0(5 min clip)\u00a0– https:\/\/youtu.be\/wdvLhlGFKXI<\/a><\/h6>\n

‘Score: Mechanical Asynchronicity<\/em> (Score: MA) is a collaborative project between visual artist Danica Maier and composer Martin Scheuregger. The project takes a single historical lace draft from the Nottingham Lace Archive as the starting point for new live and installation-based visual-musical works. This lace draft would have originally been used to programme a mechanical lace machine \u2013 it is, in essence, a set of graphical instructions.’ (Maier)<\/p>\n

Further Information can be found at:\u00a0https:\/\/www.researchcatalogue.net\/view\/1107431\/1107432<\/a><\/p>\n

This dialogue will follow Danica’s presentation and overview of the project Score: Mechanical Asynchronicity,<\/em>\u00a0with the aim of contextualising the project in relation to Experiential Translation network – drawing out key themes, ideas and provocations that have emerged over the 3 day performances, events and conference.<\/p>\n

\n

Danica Maier bio:<\/h3>\n

Danica Maier is an artist and Associate Professor in Fine Art at Nottingham Trent University. Her practice focuses on the un-repeating-repeat, aspect seeing, and exploration of material processes. Her work uses site-specific installations, drawing, and objects to explore expectations, while using subtle slippages to transgress propriety. Recent exhibitions \/ live events include: Bummock: Tennyson Research Centre; Associated Thoughts on Line, as part of the Convocation: On Expanded Language – Based Practices within the Research Pavilion at the 58th Venice Biennale; and Score: Mechanical Asynchronicity, York Concerts.<\/p>\n

https:\/\/www.danicamaier.com\/<\/a><\/p>\n

\"ETinA<\/div>\r\n